سخنِ میر کی طرفیں: میر کی ایک غزل کی روشنی میں
Dimensions of Mīr’s Poetry in the Light of Exegetic Study of a Mīr’s Ghazal
Keywords
Mīr, Mood, Tone, Ghazal, Semantic, Personality
Abstract

Although the ghazal beginning with the line Ka’i din saluk vidā‘ ka merē dar pē dil ẓār tẖā of Mīr is one of the most popular Mīr’s ghazals, it has been analysed for the first time. Two or three verses or couplets of this ghazal are generally remembered. The analyst has also explored a mood, tone, and rhythmic beauty of each couplet. Moreover, the semantic aspects of the ghazal have also been brought to light and multiple yet faithful to the text interpretations have also been offered. Although this ghazal does not explicitly refer to the idiosyncrasies of Mīr, the analysis alludes to some of the traits of the personality of this genius. In fact, Mīr's personality seems to have played a significant role in the creation of this ghazal, a wonder of art indeed.

References
  • Abbasi, Zille Abbas. Kūlīyāt-i Mīr. vol. 1. New Dehli: National Council for Promotion of Urdu Language, 1983.
  • Gorakhpuri, Firaq. Kūlīyāt-i Firāq Gurakhpurī. Dehli: Sāhitiyah Ākedmi, 2015.
  • Hadi, Nabi. Mīrẓā Bēdil. Ali Garh: Persian Department, Ali Garh Muslim University, 1982.
  • Mushafi, Ghulam Hamdani. Kūlīyāt-I Muṣḥafī. New Dehli: National Council for Promotion of Urdu Language, 2004.
  • Sauda, Muhammad Rafi. Kūlīyāt-i Saudā. Lucknow: Munshi Nawal Kishore, 1932.
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Details:
Type:
Article
Volume:
14
Issue:
1
Language:
Urdu
Id:
649490f95e819
Pages:
18
Published: